B—Line is a company specialised in designer furnishings which, ever since its beginnings, has manufactured contemporary products along with evergreen icons from the past, such as Joe Colombo’s famous Boby storage trolley. Solid, transversal and flexible designs, the result of collaborations with international designers and of an exclusively Italian production.
B—Line is a company, brainchild of its founder, Giorgio Bordin, that restores life to several historical icons of design on the Italian scenario. These are works that have disappeared over the years, made obsolete by the unrelenting ferment of a market that is brimming with innovation. Of the products re-edited, some have made history “contaminating” many facets of art and design, such as Joe Colombo’s famous Boby.
From the very beginning, side by side with its re-editions, B—Line places contemporary furnishing accessories, resulting from collaborations with international designers. Tangible, factual and transversal projects that have the responsibility and honour to co-exist with the great cornerstones of design and to encourage, in terms of style and character, a smooth switch from home environments to working spaces and from outdoors to indoors, areas that are increasingly hybrid and mercurial, as demanded by contemporary lifestyles.
Velasca

Designed by Alessandro Mendini in 1987, the mirrors of the Velasca series are a fitting testimony to his poetic imprint, where the object’s functionality and its graphic value harmoniously coexist. The elementary, archetypal shapes of the mirrors feature triangular decorations as coloured elements along the perimeter. The simple and natural graphic stroke defines a kind of imaginary frame that naturally encompasses the reflected image.

Design by:
Alessandro Mendini
1987
Ø600 — 20
750×800 — 20
Screen-printed glass finishes:
Black
Blue
Yellow

Designed by Alessandro Mendini in 1987, the mirrors of the Velasca series are a fitting testimony to his poetic imprint, where the object’s functionality and its graphic value harmoniously coexist. The elementary, archetypal shapes of the mirrors feature triangular decorations as coloured elements along the perimeter. The simple and natural graphic stroke defines a kind of imaginary frame that naturally encompasses the reflected image.

Design by:
Alessandro Mendini
1987